The World’s First Collectors, Museums And Libraries Of Antiquity

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Library of Ashurbanipal Mesopotamia 1500-539 BC Gallery, British Museum, London, England (Gary Todd / CC0)

The World’s First Collectors, Museums And Libraries Of Antiquity

People have collected objects, scripts, fossils, specimens, precious stones, artifacts and memorabilia since the dawn of mankind’s memory, for different reasons. Many possible motives come into play – people collect because of nostalgia for a past world, because they want to display their wealth and sophistication, because it satisfies a compulsive need to organise and create order, because it serves as a solace and a distraction in time of uncertainty, because they want to preserve for posterity and for many other reasons.  And once they start they cannot stop because there is always a gap in their collection which they need to plug. David Bowie, who collected art, said: “Art was, seriously, the only thing I’d ever wanted to own… It can change the way I feel in the mornings.” So, there is another motive for collecting – it can simply make a person feel good when they wake up. It is such a broad subject and it incorporates so many disciplines that it has its own journal – the Journal of the History of Collections. It is estimated that as many as one-third of the population of America and Britain regard themselves as collectors.

Portion of the "Garden Party" relief, depicting Ashurbanipal (right) and his queen Libbali-sharrat (left) (Mary Harrsch/CC BY-SA 4.0)

Portion of the "Garden Party" relief, depicting Ashurbanipal (right) and his queen Libbali-sharrat (left) (Mary Harrsch/CC BY-SA 4.0)

Ashurbanipal, Collector of Cuneiform Tablets

The first collector on current record was Ashurbanipal, King of the Neo-Assyrian Empire from 669 BC until his death in 631. His particular weakness was for cuneiform tablets – that is to say, tablets that had been inscribed with an instrument that made wedge-shaped marks on clay tablets. The word “cuneiform”, which means “wedge-shaped”, derives from the fact that the marks that were pressed into the soft clay with the slanted edge of a stylus had a wedge-shaped appearance. Once the clay had been baked, the tablet became virtually indestructible. It was literally fireproof.


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